Pauline
Clément

pensionnaire

Pauline Clément trained at the Cours Florent, the Conservatoire of the 8th arrondissement in Paris and the School of the Studio d’Asnières. In 2006, she played in Les Quatre filles du docteur Chekhov, a play written, directed and co-interpreted by Eugénie de Bohent. She then interpreted La Ballade de Jack et Jane, together with its author and director Frédéric Losseroy.
Louise Lévêque cast her in several pieces, such as Les salamandres dansent after texts written by Marina Tsvetaeva; Pantagruel, le banquet spectacle after Rabelais; and Goethe’s Urfaust. In 2007, Sophie Engel selected her to play in Botho Strauss’s Visages connus, sentiments mêlés.
In 2011, Pauline Clément trained with Gérard Desarthe, Laurent Natrella, Caroline Marcadé and Yvo Mentens at the Conservatoire national supérieur d’art dramatique. In 2013, she played in Dostoyevsky’s The Dream of a Ridiculous Man directed by Élise Lhomeau.
In 2014, she played in Berliner Mauer: vestiges, a collective creation directed by Jade Herbulot and Julie Bertin. The same year, she appeared on stage by herself in Comme la lune, a piece written and directed by Bertrand Usclat.

Pauline Clément joined the Comédie-Française as pensionnaire on the 8th of December 2015. She made her debut in Karl Kraus’ The Last Days of Mankind directed by David Lescot. In 2016, Giorgio Barberio Corsetti cast her as Nonancourt’s daughter Hélène, in Eugene Labiche’s An Italian Straw Hat (Un chapeau de paille d’Italie), while Anne Kessler entrusted her with the Prostitute’s part in Arthur Schnitzler’s La Ronde. The following year, under the direction of Christiane Jatahy she interpreted Jacqueline in The Rules of the Game (La Règle du jeu) after Jean Renoir’s screenplay, followed by the role of Victoire, Pinglet’s chamber maid, in George Feydeau’s The Free Exchange Hotel (L’Hôtel du Libre-Échange) by Isabelle Nanty. Denis Podalydès cast her as Hyacinte in Les Fourberies de Scapin by Molière.

Outside the Comédie-Française, Pauline Clément is part of a collective of comedians Yes Vous Aime, which broadcasts on the Internet.
She has appeared in two short films by Guillaume Cremonese and Bertrand Usclat, Amer and Partie fine. In 2016, she was part of the cast of the movie C’est la Vie! (Le Sens de la fête) by Olivier Nakache and Éric Tolédano and, in 2017, she was in Lola et ses frères, a feature film by Jean-Paul Rouve.

During the 2018/2019 season, Pauline Clément plays in Les Oubliés (Alger-Paris) written and directed by Julie Berton and Jade Herbulot – Le Birgit Ensemble and in the rerun of Feydeau’s The Free Exchange Hotel (L’Hôtel du Libre-Échange) by Isabelle Nanty.

Currently in

L'Avare

by Molière
directed by Lilo Baur

Richelieu

Tickets
Soon in

La Cerisaie

by Anton Tchekhov
directed by Clément Hervieu-Léger
translated by André Markowicz and Françoise Morvan

Richelieu

Sold out
Follow this comedien

At the Comédie-Française

2024-2025

  • La Cerisaie

    by Anton Tchekhov directed by Clément Hervieu-Léger translated by André Markowicz and...

    Richelieu

  • L'Avare

    by Molière directed by Lilo Baur

    Élise, fille d'Harpagon, amante de Valère (alternately)

    Richelieu

2023-2024

2022-2023

  • L'Avare

    by Molière Directed by Lilo Baur

    Élise, fille d'Harpagon, amante de Valère (en alt.)

    Richelieu

  • La Puce à l'oreille

    by Georges Feydeau Directed by Lilo Baur

    Lucienne Homénidès de Histangua

    Richelieu

  • La Cerisaie

    by Anton Tchekhov Directed by Clément Hervieu-Léger

    Douniacha, la bonne (alternating)

    Richelieu

  • Jean-Baptiste, Madeleine, Armande et...

    after Molière Directed by Julie Deliquet

    Catherine Leclerc du Rosé, dite Mlle De Brie

    Richelieu

2021-2022

2020-2021

  • La Puce à l'oreille

    de Georges Feydeau Mise en scène Lilo Baur

    Lucienne Homénidès de Histangua

    Richelieu

2019-2020

  • Électre / Oreste

    "Electra / Orestes" by Euripide Directed by Ivo van Hove

    Hermione (alternately)

    Richelieu

  • Les Fourberies de Scapin

    "Scapin The Schemer" by Molière Directed by Denis Podalydès

    Hyacinte (alternately)

    Richelieu

  • La Puce à l'oreille

    A Flea in her ear by Georges Feydeau Directed by Lilo Baur

    Lucienne Homénidès de Histangua

    Richelieu

2018-2019

  • L'Hôtel du Libre-Échange

    The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty

    Victoire, femme de chambre de Pinglet

    Richelieu

  • Les Oubliés (Alger-Paris)

    The Forgotten Ones [Algiers-Paris] Writed and directed by Julie Bertin and Jade...

    Alice Legendre, la mariée (2019)

    Vx-Colombier

2017-2018

  • L'Éveil du printemps

    The Awakening of Spring by Frank Wedekind Directed by Clément Hervieu-Léger

    Martha Bessel

    Richelieu

  • La Règle du jeu

    The Rules of the Game based on the screenplay by Jean Renoir Directed by Christiane...

    Jacqueline

    Richelieu

  • L'Hôtel du Libre-Échange

    The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty

    Victoire, femme de chambre de Pinglet

    Richelieu

  • Les Fourberies de Scapin

    Scapin The Schemer by Molière Directed by Denis Podalydès

    Hyacinte (alternating)

    Richelieu

2016-2017

  • L'Hôtel du Libre-Échange

    The Free Exchange Hotel by Georges Feydeau Directed by Isabelle Nanty

    Victoire, femme de chambre de Pinglet

    Richelieu

  • La Règle du jeu

    The Rules of the Game after the screenplay by Jean Renoir Directed by Christiane Jatahy

    Jacqueline

    Richelieu

  • La Ronde

    by Arthur Schnitzler Directed by Anne Kessler

    La Prostituée

    Vx-Colombier

2015-2016

  • Lunettes connectées disponibles à la Salle Richelieu

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    la saison 24-25

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VIGIPIRATE

En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.

Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.

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