Anna
Cervinka

540e sociétaire

Anna Cervinka trained as an actor at the Conservatoire royal de Bruxelles where she graduated in 2008. Following a month-long internship at the Demain le Printemps Theatre School in Belarus, she performed in Belgium under the direction of Philippe Sireuil, Galin Stoev, Emmanuel Deconinck, Dominique Bréda and Pascal Crochet. The latter directed her in R.W. (premier dialogue) and (deuxième dialogue), the two plays staged at the Rideau de Bruxelles reflect the works by Robert Walser. For her performance in the first play, Anna Cervinka earned a nomination for Rising Female Star at the 2010 Critics’ Awards. Two years later, she played in Continent Kafka, a play on the last days of the Czech author written and directed by Pascal Crochet. In Paris, she reunited with director Galin Stoev for two plays at the Théâtre de la Colline: Delhi Dance (Danse ‘‘Delhi’’) by the Russian Ivan Viripaev in 2011 and Liliom by the Hungarian Ferenc Molnar in 2014.

As of the 1st of June 2014, she has been a pensionnaire of the Comédie-Française, where she again reunited with Galin Stoev who directed her as Mariane in Molière’s Tartuffe. Zabou Breitman directed her in Georges Feydeau’s Le Système Ribadier, while Lilo Baur directed her in The House of Bernarda Alba by Federico García Lorca. She held the role of Nathalie in Michel Vinaver’s La Demande d’emploi directed by Gilles David, as well as the role of the Child in Hans Christian Andersen’s The Little Match Girl directed by Olivier Meyrou. In 2016, Anne Kessler entrusted her with the role of the young nanny in an adaptation of Arthur Schnitzler's La Ronde. Nâzim Boudjenah directed her in Maurice Maeterlinck’s Intérieur at the Studio-Théâtre, and Éric Ruf cast her as Zaïre in his staging of Racine’s Bajazet. Anna Cervinka won the 2017 Molière Award for Best Female Newcomer for her performances of Sonia in Vanya adapted from Chekhov’s Uncle Vanya by Julie Deliquet and of Lydia in Mark Medoff’s Children of a Lesser God directed by Anne-Marie Étienne. Anna Cervinka played in Le Python, a short feature film directed by Laurie Bost and Sébastien Savine in 2016.

During the 2018-2019 season, Anna Cervinka will beplaying in Shakespeare’s The TwelfthNight Or What You Will by Thomas Ostermeier, Bergman’s Fanny et Alexandre by Julie Deliquet, Leila Slimani’s Chanson douce by Pauline Bayle as wellas in the rerun of Visconti’s The Damnedby Ivo van Hove.

Currently in

ON TOUR / La Puce à l'oreille

by Georges Feydeau
Directed by Lilo Baur

On tour

At the Comédie-Française

2023-2024

2022-2023

  • L'Avare

    by Molière Directed by Lilo Baur

    Mariane, amante de Cléante, aimée d'Harpagon

    Richelieu

  • Médée

    after Euripide Translated by Florence Dupont Adaptated and directed by Lisaboa...

    Égée, roi d’Athènes

    Richelieu

  • La Mort de Danton

    by Georg Büchner Directed by Simon Delétang

    Lucile, femme de Camille Desmoulins

    Richelieu

  • La Puce à l'oreille

    by Georges Feydeau Directed by Lilo Baur

    Raymonde Chandebise

    Richelieu

  • La Cerisaie

    by Anton Tchekhov Directed by Clément Hervieu-Léger

    Douniacha, la bonne (alternating)

    Richelieu

2021-2022

  • L'Avare

    by Molière Directed by Lilo Baur

    Mariane, amante de Cléante, aimée d'Harpagon

    Richelieu

  • La Cerisaie

    d'Anton Tchekhov Mise en scène Clément Hervieu-Léger

    Douniacha, la bonne

    Richelieu

  • Fanny et Alexandre

    d'Ingmar Bergman Mise en scène Julie Deliquet

    Justina, domestique chez Edvard

    Richelieu

  • 7 minutes

    by Stefano Massini directed by Maëlle Poésy

    Rachel

    Vx-Colombier

2020-2021

2019-2020

2018-2019

  • Les Damnés

    The Damned after the screenplay by Luchino Visconti, Nicola Badalucco and Enrico...

    Olga

    Richelieu

  • Chanson douce

    Lullaby By Leïla Slimani Directed by Pauline Bayle

    Studio

  • Fanny et Alexandre

    Fanny and Alexander by Ingmar Bergman Directed by Julie Deliquet

    Justina, domestique chez Edvard

    Richelieu

  • Anna Cervinka / Christian Bobin

    The Actors’ Attic

    Richelieu

  • Lucrèce Borgia

    Lucrezia Borgia by Victor Hugo Directed by Denis Podalydès

    The Negroni Princess (Alternating)

    Richelieu

  • La Nuit des rois ou Tout ce que vous...

    Twelfth Night or What you will by William Shakespeare Directed by Thomas Ostermeier

    Maria, suivante d’Olivia

    Richelieu

2017-2018

  • Faust

    by Goethe Adapted and directed by Valentine Losseau and Raphaël Navarro

    Marguerite ; manipulation magique et de marionnette

    Vx-Colombier

  • Anna Cervinka

    Actor School

    Studio

  • Les Journées particulières (Special...

    Into the Repertoire time machine

    Vx-Colombier

  • Après la pluie

    by Sergi Belbel Directed by Lilo Baur

    Secrétaire blonde

    Vx-Colombier

  • Vania

    after Uncle Vanya by Anton Tchekhov Directed by Julie Deliquet

    Sophia Alexandrovna Serebriakova dite Sonia, fille du professeur d’un premier mariage

    Vx-Colombier

2016-2017

  • Les Journées particulières (Special...

    Into the Repertoire time machine

    Vx-Colombier

  • The Readers’ Bureau

    Readings of contemporary authors

    Vx-Colombier

  • Bajazet

    by Jean Racine Directed by Éric Ruf

    Zaïre

    Vx-Colombier

  • Intérieur

    Interior by Maurice Maeterlinck Directed by Nâzim Boudjenah

    Marie

    Studio

  • Les Enfants du silence

    by Mark Medoff Directed by Anne-Marie Étienne

    Lydia

    Théâtre Antoine

  • La Ronde

    by Arthur Schnitzler Directed by Anne Kessler

    La Jeune Fille au pair

    Vx-Colombier

  • Vania

    after Uncle Vanya by Anton Tchekhov Directed by Julie Deliquet

    Sophia Alexandrovna Serebriakova (Sonia), fille du professeur d’un premier mariage

    Vx-Colombier

2015-2016

2014-2015

  • Lunettes de surtitrage disponibles à la Salle Richelieu

  • Shop

VIGIPIRATE

En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Sécurité renforcée - risque attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.

Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.

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