François
Beaulieu

Sociétaire honoraire

After training at the École nationale des arts appliqués, François Beaulieu chose acting and enrolled at the Conservatoire national supérieur d’art dramatique (National Conservatory of Dramatic Arts of Paris) before joining the Troupe of the Comédie-Française on January 1, 1968. He was appointed as a sociétaire on January 1, 1974 and a sociétaire honoraire in January 2003.

He constantly strove for the betterment of his performance and language, systematically seeking to quench his thirst for knowledge and culture. In the early days of his acting career he played Racine, Corneille, Marivaux and Giraudoux and interpreted major roles from the Repertoire, such as Alceste in Molière’s The Misanthrope, Don Rodrigue in Corneille’s Le Cid as well as the title roles in Victor Hugo’s Hernani and Ruy Blas and in Corneille’s Cinna, etc. He played under the direction of Jacques Sereys, Jean-Marie Serreau, Terry Hands, Jacques Charon and Robert Hossein. In 1985, he took part in Georges Feydeau’s Hortense Says « I Don’t Give a Damn! » staged by Stuart Seide, then in Pinter’s One for the Road put on stage by Bernard Murat in 1987, in Bertolt Brecht’s Life of Galileo staged by Antoine Vitez in 1989, in Georges Feydeau’s Occupe-toi d'Amélie staged by Roger Planchon, in Molière’s The Misanthrope staged by Simon Eine in 1995, in Corneille’s Suréna staged by Anne Delbée, in Yves Lebeau’s Le Chant de la baleine put on stage by Jacques Rosner in 1999, and in Michel de Ghelderode’s Escorial and Trois Acteurs, un drame… put on stage by Vincent Boussard in 2000. In 1980, he produced Alfred de Musset’s The Moods of Marianne.

In the movies, he played under the direction of Raymond Rouleau in Ruy Blas adapted from Victor Hugo and of Pierre Badel in Molière’s Tartuffe, along with Michel Duchaussoy. Furthermore, François Beaulieu took part in some productions combining music and literature, notably with the European Romantic Orchestra and the pianist Romain Hervé.

At the Comédie-Française

1999-2000

1997-1998

  • Suréna

    by Pierre Corneille Directed by Anne Delbée

    Orode

    Vx-Colombier

1996-1997

  • Jacques ou la soumission

    by Eugène Ionesco Directed by Simon Eine

    Jacques Père

    Studio

  • Phèdre

    by Jean Racine Directed by Anne Delbée

    Thésée

    Richelieu

  • Le Misanthrope

    The Misanthrope by Molière Directed by Simon Eine

    Oronte

    Richelieu

1995-1996

  • Le Misanthrope

    The Misanthrope by Molière Directed by Simon Eine

    Oronte

    Richelieu

  • Occupe-toi d'Amélie

    Take care of Amélie by Georges Feydeau Directed by Roger Planchon

    Koshnadieff

    Richelieu

  • Phèdre

    by Jean Racine Directed by Anne Delbée

    Thésée

    Richelieu

1994-1995

  • Occupe-toi d'Amélie

    Take care of Amélie by Georges Feydeau Directed by Roger Planchon

    Koshnadieff

    Richelieu

1993-1994

  • Monsieur Bob'le

    by Georges Schehadé Directed by Jean-Louis Benoit

    le Facteur ; José Marco ; le Commandant Crawl

    Vx-Colombier

  • Antigone

    by Sophocle Directed by Otomar Krejca

    le Chœur

    Richelieu

1992-1993

  • Elle est là et Le Silence

    by Nathalie Sarraute Directed by Jacques Lassalle

    H1 (Elle est là)

    Vx-Colombier

  • George Dandin

    by Molière Directed by Jacques Lassalle

    Mr de Sotenville

    Richelieu

  • Antigone

    by Sophocle Directed by Otomar Krejca

    le Chœur

    Richelieu

1991-1992

  • George Dandin

    by Molière Directed by Jacques Lassalle

    Mr de Sotenville

    Richelieu

  • La Vie de Galilée

    Life of Galileo by Bertolt Brecht Directed by Antoine Vitez

    le Cardinal Bellarmin

    Richelieu

  • Un mari

    by Italo Svevo Directed by Jacques Lassalle

    Paolo Mansi

    Odéon

1990-1991

  • On purge Bébé

    by Georges Feydeau Directed by Jean-Christophe Averty

    Mr Chouilloux

    Odéon

  • Le Café

    by Carlo Goldoni Directed by Jean-Louis Jacopin

    Flaminio

    Richelieu

  • La Vie de Galilée

    Life of Galileo by Bertolt Brecht Directed by Antoine Vitez

    le Cardinal Bellarmin

    Richelieu

1989-1990

  • La Vie de Galilée

    Life of Galileo by Bertolt Brecht Directed by Antoine Vitez

    le Cardinal Bellarmin

    Richelieu

  • Le Misanthrope

    The Misanthrope by Molière Directed by Simon Eine

    Oronte

    Richelieu

1988-1989

  • Le Misanthrope

    The Misanthrope by Molière Directed by Simon Eine

    Oronte

    Richelieu

  • La Guerre de Troie n'aura pas lieu

    The Trojan War Shall not Be by Jean Giraudoux Directed by Raymond Gérôme

    Hector

    Richelieu

  • Nicomède

    by Pierre Corneille Directed by Françoise Seigner

    Flaminius

    Richelieu

  • Esther

    by Jean Racine Directed by Françoise Seigner

    Assuérus

    Richelieu

1987-1988

1986-1987

  • Esther

    by Jean Racine Directed by Françoise Seigner

    Assuérus

    Richelieu

1985-1986

1984-1985

1983-1984

  • Le Suicidé

    by Nicolaï Erdman Directed by Jean-Pierre Vincent

    Victor Victorovitch

    Odéon

  • Intermezzo

    by Jean Giraudoux Directed by Jacques Sereys

    le Spectre

    Richelieu

  • La Seconde surprise de l'amour

    by Marivaux Directed by Jean-Pierre Miquel

    le Comte

    Richelieu

1982-1983

1981-1982

  • Les Cenci

    by Antonin Artaud Directed by Jacques Baillon

    Giacomo

    Odéon

1979-1980

1978-1979

  • Le Misanthrope

    The Misanthrope by Molière Directed by Pierre Dux

    Alceste

    Richelieu

  • Ruy Blas

    by Victor Hugo Directed by Jacques Destoop

    Ruy Blas

    Richelieu

  • La Trilogie de la Villégiature

    The Holiday Trilogy by Carlo Goldoni Directed by Giorgio Strehler

    Guglielmo

    Odéon

1977-1978

1976-1977

  • Le Mariage de Figaro

    by Beaumarchais Directed by Jacques Rosner

    The Comte Almaviva (alternatly)

    Richelieu

  • Le Cid

    by Pierre Corneille Directed by Terry Hands

    Don Rodrigue (en alternance)

    Richelieu

  • Lorenzaccio

    by Alfred de Musset Directed by Franco Zeffirelli

    Pierre Strozzi

    Richelieu

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VIGIPIRATE

En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.

Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.

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