La Tragédie d'Hamlet

by William Shakespeare
Directed by Dan Jemmett

Richelieu

5 June 26 July 2015

Richelieu

La Tragédie d'Hamlet

2015-06-05 00:00:00 2015-07-26 00:00:00

A monument of Western literature, an eternal image of modernity, Hamlet asks what man is and hence, speaks to each one of us.

On the walls of Elsinore, the sentinels fear the apparition of a spectre that the fortress walls cannot keep out. The ghost of the king of Denmark reveals to his son, Hamlet, that he died by the hand of his own brother, Claudius. Not long after the deed, Claudius married Gertrude, the king’s widow and Hamlet’s mother. The moral decay of the Court is starkly exposed on the occasion of a theatrical performance orchestrated by Hamlet as a mirror of the royal couple’s wickedness, a prelude to his revenge. The tragedy then draws the protagonists into a deadly spiral: Polonius, the late king’s and now the usurper’s chamberlain is murdered by Hamlet; his daughter Ophelia, who is in love with Hamlet, subsides into madness and drowns; the final duel between organised by Claudius between Hamlet and Laertes –Ophelia’s brother– is fatal to all three, while the Queen is dying, having drunk the wine mixed with poison her husband intended for her son.


William Shakespeare, the author
Hamlet, probably brought to the stage around 1600/1601, is the Shakespeare play that has generated the most commentary, giving rise to a genuine myth around his eponymous character. This elusive and timeless work is known by two editions published during the author’s lifetime: the first, highly elliptical edition, dated 1603, indicates that the play had been performed in London, Oxford and Cambridge; the second, more substantial edition, was published in 1604. The play marked the culmination of an already rich career, developing all at once in the genres of tragedy, comedy, historical plays and poetry. A monument of Western literature, at once a political tragedy, a metaphysical text and an eternal image of modernity carried by an unalterable poetic force, Hamlet asks what man is and hence, speaks to each one of us.

Dan Jemmett, the director
The English director Dan Jemmett is familiar with Shakespeare’s work, which he has revisited humorously and unceremoniously in Presque Hamlet (2002) Shake –after Twelfth Night (2001)– and Les Trois Richards, Richard III (2012). He also staged The Comedy of Errors in 2010, as well as Twelfth Night and The Tempest at the Polski Theatre in Warsaw in 2011. He has recently directed Fassbinder’s El café, after the Goldoni comedy, at the Teatro de La Abadia in Madrid. At the Comédie-Française, Dan Jemmett presented Molière’s The Affected Young Ladies in 2007 and Eduardo de Filippo's Grand Magic in 2009. For Hamlet, the clubhouse setting with bar, jukebox and dance floor, the spatial and visual starting point for a journey into this immense work, recalls the strong force of imagination of the Elizabethan stage; “Making of nothing a whole world”, as John Donne, a contemporary of Shakespeare wrote.

Creative team

Direction: Dan Jemmett
Artistic collaboration and dramaturgy: Mériam Korichi
Scenography: Dick Bird
Costumes: Sylvie Martin Hyszka
Lights: Arnaud Jung
Fencing master: Jérôme Westholm
Hairdressing: Cécile Gentilin
Make-up: Laura Ozier

Distribution

the company

  • 07-alainlenglet-push

    Alain
    Lenglet

    Horatio

    See biography
  • 10-denispodalydes-push

    Denis
    Podalydès

    Hamlet

    See biography
  • 13-clotildedebayser-push

    Clotilde
    de Bayser

    Gertrude

    See biography
  • 14-jeromepouly-push

    Jérôme
    Pouly

    Laërte

  • push1718-laurentnatrella

    Laurent
    Natrella

    Bernardo, Valtemand, 2e Comédien, le Marin, 1er fossoyeur, Le Prêtre, L’Ambassadeur d’Angleterre (en alternance)

    See biography
  • 21-loiccorbery-push

    Loïc
    Corbery

    Bernardo, Valtemand, 2e Comédien, le Marin, 1er fossoyeur, Le Prêtre, L’Ambassadeur d’Angleterre (en alternance)

    See biography
  • 63-hervepierre-push

    Hervé
    Pierre

    Claudius

    See biography
  • 27-gillesdavid-push

    Gilles
    David

    Polonius

    See biography
  • 40-jenniferdecker-push

    Jennifer
    Decker

    Ophélie

    See biography
  • push1718-elliotjenicot

    Elliot
    Jenicot

    Rozencrantz et Guildenstern

  • 33-benjaminlavernhe-push

    Benjamin
    Lavernhe

    Marcellus, Reynaldo, 3e Comédien, Un Capitaine, Osrik, 2e fossoyeur

    See biography
  • 34-sebastienpouderoux-push

    Sébastien
    Pouderoux

    Le Spectre, Premier Comédien, Fortinbras

    See biography
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ATTENTION

Ouverture des réservations pour les représentations du mois de juillet Salle Richelieu :

  • MER 20 MARS à partir de 11h

VIGIPIRATE

En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.

Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.

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