Vagabond Readings # 1
La Résurrection rouge et...
2015-10-10 00:00:00 2015-10-10 00:00:00
“Independence gave rise to the problem of ‘identities’.
Personally, I am very wary of identities that belong only to a single geographic region or to a single people. I think that identity is contagious.” Where is this contagion now, twenty years after the death of the Congolese writer and playwright
Sony Labou Tansi
His sharp pen dipped in the ink of philosophical doubt and spirituality, places him in the tradition of the great humanist authors. In 1990, he published The Red and White Resurrection of Romeo and Juliet, which will open this new series of Vagabond Readings coordinated by Laurent Muhleisen, the Comédie-Française’s literary adviser. In the author’s wake, a new generation is emerging.
Three of its representatives will be presented after him during the Vagabond Readings series: the Cameroonian author Léonora Miano who describes herself as belonging to “a generation that, having benefited from the struggles of [its] elders for the rehabilitation of [its] cultures, feels authorised to undertake, with courage and determination, the crossing of its inner shadows”; Julien Bissila Mabiala, born in the Congo, was remarked upon in 2005 by the Readers’ Bureau, which had the following to say about him: “Beyond his talent for bringing language to life, there is a real cruelty, a viewpoint of great seriousness” in his work; and finally the Guinean Hakim Bah whose literary career, already rich despite his youth, took him from writing poetry to short stories before he devoted himself entirely to the theatre.
Texte : Sony Labou Tansi
Metteur en voix : Gustave Akakpo
assisté de : Adrien Dupuis Hepnerun, élève-metteur en scène dramaturge à la Comédie-Française
Vagabond Readings' Coordination: Laurent Muhleisen, the Comédie-Française’s literary adviser
En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.
Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.