Georgia
Scalliet

531e sociétaire

Joined the Comédie-Française on the 28th of September 2009. Became the 531st sociétaire on the 1st of January 2017

Following several traineeships, first in France with Catherine Dasté at the Maison Jacques Copeau, then at the Phillips Exeter Academy in the United States, and finally at the Royal Academy of Dramatic Art (RADA) in the United Kingdom, Georgia Scalliet continued her training at the Institut des arts de diffusion in Belgium before being admitted to ENSATT (École nationale des arts et techniques du théâtre) in 2006.

Georgia Scalliet made her debut at the Comédie-Française on the 28th of September 2009, by playing Irina in Chekhov’s Three Sisters under the direction of Alain Françon. She was presented with the 2011 Molière Award for Best Female Newcomer. She reunited with Françon for Goldoni’s Villegiatura Trilogy at the Salle Richelieu in 2012, and later outside the Comédie-Française, where he offered her the role of Marie Steuber in Botho Straus’ Le Temps et la Chambre, shown at the Strasbourg Théâtre National at the end of 2016 and the following year on tour.
At the Comédie-Française, Georgia Scalliet has often been cast in the classical repertoire. She has played in Molière’s Misanthrope and La Critique de l’École des femmes directed by Clément Hervieu-Léger; Les Femmes savantes by Bruno Bayen; and Amphitryon by Jacques Vincey. Anne Kessler directed her in Marivaux’s La Double Inconstance and Stéphane Braunschweig cast her as Junie in Racine’s Britannicus.
With regard to Shakespeare, she played in Andrés Lima’s staging of The Merry Wives of Windsor, and interpreted Cressida in Jean-Yves Ruf’s staging of Troilus and Cressida. In March 2014, on the occasion of 450th anniversary of the British playwrighter, Georgia Scalliet participated in a France Culture Radio reading of Richard III directed by Anne Kessler. Jérôme Deschamps selected her to play Viviane in Feydeau’s Un fil à la patte. Denis Marleau cast her in Innocence by the contemporary author Dea Loher.

She became the 531st sociétaire of the Comédie-Française on the 1st of January 2017. Robert Carsen offered her the role of Prospero’s daughter Miranda in Shakespeare’s The Tempest, while Clément Hervieu-Léger cast her as Wendla Bergmann in Frank Wedekind’s The Awakening of Spring.

Based on a text by Ingmar Bergmann, Georgia Scalliet developed Après la répétition, which she interpreted with tg STAN’s Franck Vercruyssen in 2013. As a result of that collaboration, she co-founded the Liv Collectiv with Alma Palacios, Ruth Vega Fernandez and Pauline Moulène. Their first project, based on Mishima’s Madame de Sade and the work of Ingmar Bergmann, was presented at the Théâtre de la Bastille in 2015.

Valeria Bruni-Tedeschi directed her with other actors from the Company in an adaptation of Chekhov’s Three Sisters broadcast on Arte in September 2015. At the same time, she had the starring role in The Scent of Mandarin (L’Odeur de la mandarine), a feature film by Gilles Legrand.

During the 2018/2019 season, Georgia Scalliet can be seen in Shakespeare’s La Nuit des rois ou Tout ce que vous voulez by Thomas Ostermeier, Federico Fellini’s Le Voyage de G. Mastorna by Marie Rémond and in the reruns of Racine’s Britannicus by Stéphane Braunschweig and Molière’s Le Misanthrope by Clément Hervieu-Léger.

Follow this comedien

At the Comédie-Française

2019-2020

  • La Nuit des rois ou Tout ce que vous...

    "Twelfth Night or What you will" by William Shakespeare Directed by Thomas Ostermeier

    Viola, déguisée sous le nom de Césario

    Richelieu

  • Jules César

    Julius Caesar by William Shakespeare Adapted and directed by Rodolphe Dana

    Marc Antoine

    Vx-Colombier

2018-2019

  • Le Misanthrope

    The Misanthrope by Molière Directed by Clément Hervieu-Léger

    Célimène

    Richelieu

  • Le Voyage de G. Mastorna

    The Journey of G. Mastorna after Federico Fellini Directed by Marie Rémond

    Giovanna, actrice jouant les rôles des hôtesses, de la présentatrice, d’Adélaïde

    Vx-Colombier

  • Britannicus

    by Jean Racine Directed by Stéphane Braunschweig

    Junie

    Richelieu

  • La Nuit des rois ou Tout ce que vous...

    Twelfth Night or What you will by William Shakespeare Directed by Thomas Ostermeier

    Viola, déguisée sous le nom de Césario

    Richelieu

2017-2018

  • L'Éveil du printemps

    The Awakening of Spring by Frank Wedekind Directed by Clément Hervieu-Léger

    Wendla Bergmann

    Richelieu

  • Britannicus

    by Jean Racine Directed by Stéphane Braunschweig

    Junie

    Richelieu

  • La Tempête

    The Tempest by William Shakespeare French adaptation by Jean-Claude Carrière Directed...

    Miranda, fille de Prospero

    Richelieu

2016-2017

2015-2016

  • Un fil à la patte

    A Cat Among The Pigeons by Georges Feydeau Directed by Jérôme Deschamps

    Viviane (en alternance)

    Richelieu

  • Britannicus

    by Jean Racine Directed by Stéphane Braunschweig

    Junie

    Richelieu

  • Lucrèce Borgia

    Lucrezia Borgia by Victor Hugo Directed by Denis Podalydès

    La Princesse Negroni (en alternance)

    Richelieu

2014-2015

  • La Princesse au petit pois

    The Princess and the Pea by Hans Christian Andersen Directed by Édouard Signolet

    The Princess

    Studio

  • Lucrèce Borgia

    Lucrezia Borgia by Victor Hugo Directed by Denis Podalydès

    La Princesse Negroni (en alternance)

    Richelieu

  • Innocence

    by Dea Loher Directed by Denis Marleau

    Absolue, jeune femme aveugle

    Richelieu

  • Le Misanthrope

    The Misanthrope by Molière Directed by Clément Hervieu-Léger

    Célimène

    Richelieu

  • La Double Inconstance

    The Double Inconstancy by Marivaux Directed by Anne Kessler

    Lisette

    Richelieu

2013-2014

  • Lucrèce Borgia

    Lucrezia Borgia by Victor Hugo Directed by Denis Podalydès

    La Princesse Negroni

    Richelieu

  • Le Misanthrope

    The Misanthrope by Molière Directed by Clément Hervieu-Léger

    Célimène

    Richelieu

  • Richard III

    by William Shakespeare Reading directed by Anne Kessler

    Lady Anne

    Maison de la Radio

  • La Princesse au petit pois

    The Princess and the Pea by Hans Christian Andersen Directed by Édouard Signolet

    The Princess

    Studio

  • Un fil à la patte

    A Cat Among The Pigeons by Georges Feydeau Directed by Jérôme Deschamps

    Viviane

    Richelieu

  • La Trilogie de la villégiature

    The Holiday Trilogy by Carlo Goldoni Directed by Alain Françon

    Giacinta

    Richelieu

2012-2013

  • Amphitryon

    by Molière DIrected by Jacques Vincey

    Alcmène

    Vx-Colombier

  • Les Trois Sœurs

    The Three Sisters by Anton Tchekhov Directed by Alain Françon

    Irina, sœur de Prozorov

    Richelieu

  • Un fil à la patte

    A Cat Among The Pigeons by Georges Feydeau Directed by Jérôme Deschamps

    Viviane

    Richelieu

  • Troïlus et Cressida

    Troilus and Cressida by William Shakespeare Directed by Jean-Yves Ruf

    Cressida

    Richelieu

  • The Readers’ Bureau

    Readings of contemporary authors

    Studio

  • La Critique de l'école des femmes

    The Critique of the School for Wives by Molière Directed by Clément Hervieu-Léger

    Élise

    Studio

2011-2012

  • Amphitryon

    by Molière DIrected by Jacques Vincey

    Alcmène

    Vx-Colombier

  • La Trilogie de la villégiature

    The Holiday Trilogy by Carlo Goldoni Directed by Alain Françon

    Giacinta

    Théâtre éphémère

  • Un fil à la patte

    A Cat Among The Pigeons by Georges Feydeau Directed by Jérôme Deschamps

    Viviane

    Richelieu

2010-2011

2009-2010

  • Les Trois Sœurs

    The Three Sisters by Anton Tchekhov Directed by Alain Françon

    Irina, sœur de Prozorov

    Richelieu

  • Les Joyeuses Commères de Windsor

    The Merry Wives of Windsor by William Shakespeare Directed by Andrés Lima

    Anne Lepage

    Richelieu

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VIGIPIRATE

En raison du renforcement des mesures de sécurité dans le cadre du plan Vigipirate « Urgence attentat », nous vous demandons de vous présenter 30 minutes avant le début de la représentation afin de faciliter le contrôle.

Nous vous rappelons également qu’un seul sac (de type sac à main, petit sac à dos) par personne est admis dans l’enceinte des trois théâtres de la Comédie-Française. Tout spectateur se présentant muni d’autres sacs (sac de courses, bagage) ou objets encombrants, se verra interdire l’entrée des bâtiments.

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